ARTWORK COLLECTIVE

Victory CATHALAN. Paris

Between silence and appeasement, his paintings seem to be the reflection of recognizable vegetation or an experienced situation. It's the case. She observes and creates. And yet. The imprint of his imagination casts doubt.

State. Faced with his “oil on canvas” painting and his colors, we find ourselves somewhere between a sustained, volatile and sustained fragility, and the homogeneity of a timeless power. His painting is direct.  

Feeling. Like their creator, the works exude joy of life and peace of mind. The call to contemplation is a common point between his drawings and his paintings. His more narrative “Indian ink on paper” drawings open the doors to the imagination.

Leaving his workshop, I feel his world. His painting suggests and his drawing disposes. It was a dialogue. Like a dance, I had followed suit and yet been able to lead.

Epidermal. Met in March 2014, its imprint is such that time expands.

 

Julia DE COOKER. Paris

Photographer. The mineral predominates in his work. Only then does life take shape. The “Svalbard” series forces me to see in colors. Starting from white, the colors slowly impose themselves. His need to travel the globe in search of little-known universes is surprising. His eye detects the detail and his frame brings an unexpected tone. 

“Svalbard, an Arctic Life” offers a certain perspective, almost in slow motion, an awareness of the heat necessary for life.

 

Impresario

Fahid Taghavi

 

JP Grossmann

65 years old, he comes from the fine arts of Basel. It is an initially philosophical approach that he undertakes. It is months and months spent on his paintings that resonate. It's a very personal work, on canvas or paper with Indian ink, it's a bit of a reinterpretation of the universe. Its ordered chaos, particularly meticulous, fights with the madness that emanates from it. His work perpetuates the movement.

Impresario

Fahid Taghavi

 

Future,

MAY 2015 | VANCOUVER. Personal exhibition.

A word from the artist:

Bilder die ich in mir trage, möchte ich durch meine creative Arbeit, Befriedigung und Annerkennung finden, mit Menschen die meine Bilder verstehen.

“I take the simplest shape, the round, and do not take a triangle or a square, but the round shape, because we must distinguish the simple shape which has no angle.

My work the whole of me in my paintings, my soul, in all impatience and all rage in my deep inner space.

A work of art never equals money. The value of a painting is worth more than the price. 

The life of a work of art is infinitely longer than any money.

An art collection is a passion and requires patience. 

I like those who share my way of seeing things.  

Greetings and thank you. »

Exhibitions:

Cademi Gallery Ascona 1979
Visual Art Center Geneva 1981
Academy of Fine Arts Melun, France1984
Jacob Javits, Convention Center New York, 1986
Espace Delpha Gallery Paris, 1987
Hautefeuille Gallery Paris 1987
Arthotheque Gallery Lausanne 1990
Gallery of the Schürra Friborg 2000
Gallery Art Contact Rolle 2005
squarestdio. Geneva 2014